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Band of the Week - Pollution People

Let’s crack open another can (make sure it’s a can) of cheap beer and discuss the new band (or extension of?) from members of Duck Duck Goose.  Pollution People take their name from the last song on the last release by DDG.  If you’re familiar with the Ducks, perfect, because Pollution People the band pick up right where “Pollution People” the song left off: dirty metalcore with signs of maturity. 

If you weren’t aware of the Ducks before they disbanded (went on hiatus?), I don’t want the word “metalcore” to turn you off.  Sure, they have some similarities to the genre staples; Norma Jean, or even early Cave In, type riffs recorded with the stripped down dregginess of The Chariot, a few southern fried chords ala Every Time I Die with ETID’s crisp concise drumming.  Sometimes they sound like the link between Eighteen Visions’ Until the Ink Runs Out and Vanity, you know, before 18V started embarrassing themselves by becoming a hair metal band masquerading as a grunge band.  What I mean is 18V still had that metal feel while beginning to experiment with a more traditional rock n’ roll sound and James Hart started singing while turning his scream into a higher pitched yell.  That’s what you can expect singer David Ribera to bring to the forefront of Pollution People.  If you saw a picture of David after listening to this band, you’d swear his entire torso must be made of lungs.  Of course his smaller stature probably lends to the higher pitch, but the ferocity with which he screams and belts out the notes of his now refined singing voice is colossal. 

And it’s definitely the singing elements of their brand new EP Future Trash that stand out as the most memorable, though still not the main focus of their chaotic sound.  You might have heard flashes of it on DDG’s Off Yourself, but as Pollution People, the band has found a way to write around and highlight these segments.  Mixed with the turmoil of their heavier moments the new EP does feel like a sort of metalcore At the Drive-In.  Now, don’t expect anthems with high tenor rants, the record just has that ATDI impression of an inkling of sanity surrounded by unhinged energy.  Pollution People are a little rough and unfocused at times, but the EP (and name change) show a maturation process and that these guys are tapping into their own sound.  Hopefully they’ll stick around for a while and build upon their new endeavor.

http://www.facebook.com/pages/Pollution-People/242828019060691

Where They Started: Obviously, as Duck Duck Goose

Where You Should Start: Pick up the DDG releases and then go get the Future Trash debut EP TOMORROW!

Essential Song:

going ghost by pollution people

    • #18 Visions
    • #At the Drive In
    • #Barstow
    • #California
    • #Duck Duck Goose
    • #Eighteen Visions
    • #Every Time I Die
    • #Norma Jean
    • #Pollution People
    • #The Chariot
    • #hardcore
    • #mathcore
    • #metal
    • #metalcore
    • #music
    • #punk
    • #long reads
  • 1 year ago
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Von Wolfe

Mitch Hedberg once said (or probably repeated the joke many times, actually), “Because of acid I now know that butter is way better than margarine.  I saw through the bullshit.”  Now, I’m not suggesting the guys in Von Wolfe are on acid, but if they were it would make sense because they have drafted up a blueprint of bullshitless southern hardcore that is more honest, soulful, and heavier than the trendy song and dance acts of similar sounding bands.

When most think southern tinged metallic hardcore there’s most likely going to be an echo of Every Time I Die riffs bouncing across ear drums.  That’s definitely an accurate comparison as Von Wolfe is a very riff heavy band with a noticeable twang. The difference (other than actually being from the south) is Von Wolfe channels a more traditional hardcore influence rather than Lynyrd Skynyrd making out with Poison the Well in an I-10 rest stop stall.  There’s not any singing or any attempt to water down the metallic riffs so that they’d feel comfortable floating down the Chattooga River like Maylene.  No, Von Wolfe’s brand of hardcore is more along the lines of pissed off bands like Cursed, or some of the straightened out moments of Converge.  The vocals are also a bit on the Cursed side and have that overdriven coarse scream of fellow southerner Josh Scogin of The Chariot. 

Their debut EP, Life’s a Beach, is fast, heavy, relentless and very well recorded.  Sure there’s some breakdowns and a couple of two-step moments, but nothing that feels trite or worn out.  There isn’t much on the record that strays from their formula, but with only an EP’s worth of material it doesn’t get old and requires a few extra spins to indulge in the havoc (listen to it below).

https://www.facebook.com/vonwolfefl

http://vonwolfe.bandcamp.com/

    • #Converge
    • #Cursed
    • #Daytona
    • #Every Time I Die
    • #Florida
    • #Maylene
    • #Maylene and the Sons of Disaster
    • #The Chariot
    • #Von Wolfe
    • #hardcore
    • #metal
    • #metallic hardcore
    • #music
    • #long reads
  • 1 year ago
  • 21
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